Ai Weiwei Draws Attention to the Refugee Crisis with Powerful New Installation

ith his new presentation Law of the Journey, Ai Weiwei keeps on investigating the tremendousness of the displaced person compassionate emergency. A displaced person himself, Ai Weiwei has committed the most recent two years of his profession to making politically charged fine art that addresses the issue.

"There's no exile emergency, however just human emergency… In managing outcasts we've lost our exceptionally fundamental qualities," expresses the Chinese craftsman, a standout amongst the most intense figures in contemporary workmanship. Facilitated in the Trade Fair Palace by the National Gallery of Prague, his work is a "multi-layered, epic explanation on the human condition

The area itself is a capable indication of how history rehashes itself. Worked in 1928, the Trade Fair Palace was a get together point for Jews before their extradition to the Terezín death camp. Here, under the heaviness of its past, the corridor is a vessel for Ai Weiwei's new, epic establishment.

A colossal, stuffed elastic vessel loaded with bodies spreads out over the space. The watercraft is suspended from the roof, much as the destiny of its travelers remains in a precarious situation. Stuck in limbo, without learning of what is to come, they group together as they move toward another future.

Unsurprisingly, bodies are littered around the watercraft. Fallen officers amid the burdensome intersection, some whom have as of now passed, other people who connect for security—they are an indication of exactly how unsafe these voyages can be.

Notwithstanding this new piece, the presentation additionally incorporates past work, for example, Laundromat, where garments and shoes gathered from an outcast camp are carefully laid out, and Snake Ceiling. This fantastic piece is devoted to 5,000 schoolchildren who lost their lives amid a seismic tremor in China in 2008.

Law of the Journey will be in plain view at the National Gallery of Prague until January 7, 2018.

Ai Weiwei has put over the most recent two years of his life making fine art that addresses the displaced person emergency.

In this season of vulnerability, we require more resistance, sympathy, and trust for each other since we as a whole are one. Something else, humankind will confront a significantly greater emergency